“Through their collaboration they attempt to observe the world together in unfamiliar ways by allowing themselves to be guided by what is unknown.”

View the exhibition brochure.

“At first glance, the jagged and gestural marks on the surface of the works appear to be the result of uninvited happenstance during transit. However, upon closer examination, the marks are revealed as intentional and belie a codified shorthand that exploits a loose form of cartography.”

Essay by Bruce Montcombroux.

“We had a revelation that in this collaboration we have both disappeared,” Rodney added. “There’s no ego. I’ve never felt it was mine, she never felt it was hers. We trusted that this would happen and we both disappeared in the work.”

View the exhibition announcement

Exhibition brochure with essay by Rob O’Flanagan.

“These drawings and prints are not interpretations of places, and are best not interpreted. They embody experience.”

Essay by Ben Reeves

“One of the other questions we had was…. are one of you left handed and one right handed?  We’re trying to figure out how you would hold the pencil…”

Griffith Baker, Director/Curator of the Mann Art Gallery in Prince Albert, SK,asked a question about the drawing process that Rhonda Neufeld and I use when working collaboratively. Read my response to his question.

Read about my time working as a master printer at Tyler Graphics. The following reflections began as a transcription of an interview with Emilie Owens at the National Gallery of Art in Australia and is online at their web site.

View the exhibition brochure with notes by Rebecca Belmore.